“It was demos, but the demo quality was pretty good, because both Chris and Matt had become very interested in their home recording technique, so they might demo a song, and then Ben and I would add our guitars or bass. I do the signature and everything, I approve the specs, and they take all the measurements. It’s interesting you say that; when we spoke to Chris about the Ultramega OK reissue, he mentioned how encouraging you were when he first began playing guitar in Soundgarden - what are your memories of Chris’s first guitar contributions to the band?

32.2k Posts - See Instagram photos and videos from ‘kimthayil’ hashtag Was there anything you noticed about your guitar playing? “And then, in 2011 or 12, Fender sells the Guild line, and it’s now owned by some company [Cōrdoba - Ed] in Southern California, and they’re mostly focusing on the acoustic line. (Image credit: Kevin Winter/Getty Images). As you improved as players, you incorporated more guitar tones and textures, particularly with the King Animal material - can you remember what was in your rig for the Artists Den performance? It was pretty amazing, and demonstrated very distinct stylistic approaches to the instrument.”. Guild sold to Fender, and this was in the early-’90s. “I’m not on a first-name basis with my gear; I just know it’s Mr Mesa/Boogie and Mr Guild! “Yes! And I would occasionally use a Firebird. There are certain songs that we performed that we might take extended jam sections or solos, or we might improvise a little bit more, or reach and do something unusual.

It also challenged us all to get a little bit better and tighter, because he’s a human metronome, so the rest of us had to step up. “I’ve heard a lot of people play and record over the years, but I think your fingers and your wrist have more to do with your sound and your tone than so much else. “I think in the early days we certainly used a lot more feedback and noise, and we were maybe a little bit more psychedelic; we would use feedback as another instrument, to augment the ambience on stage and create a sort of psychedelic thing. We didn’t collapse out of the anxiety and stress of having those same cameras on you. And it’s been tiring, you know. It could still happen! But it was still interesting, still quirky stuff. But since we were a band who was releasing its initial record, Bruce [Pavitt] and Jonathan [Poneman] wanted us to be competitive in the record rack by bringing the price down, and that would work by producing an EP. We tried to get this going two years ago, but we’re not in possession of any of the demos that Chris was working on with them. I should have done that the first time Soundgarden broke up, “So, other than that, I’d like to get another original band together, start writing with some friends. Funny you should bring that up.

How would you describe the guitar playing on that material? That’s about as far as I can go with that. “I had just turned 24, or might have been 23 when the band started. 34 Followers, 155 Following, 6 Posts - See Instagram photos and videos from kim thayil (@kimthayil) Every time we played a set, Ben and I, and Matt, and oftentimes Chris would just wing the improvised or solo parts; we’d just be like, ‘Let’s see what happens!’. But he’s picking up guitar quickly now by having that advantage. We all have an interest in playing live, mostly because we like playing that material. We recorded enough - over enough - for an album. And as far as pedals, I like the wah-wah. “I think when Matt joined the band, it opened everything up again, because he was such a good drummer, and every limb played independently, and he was so adaptable that it allowed for us to expand our writing palette, and what it was we could do stylistically, and play with time signatures other than 3s and 4s. I’d like to get another original band together, start writing with some friends. So we put out an EP, Screaming Life, but there’s some material that we didn’t put out on that, and I think Sub Pop is interested in releasing that, and I’ve been talking to those guys.”.

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